Deposit # 28


The poetry you see here reflects
over three decades of work. I have
changed over the years as you have.
If you want to see what I write
currently, visit:



I love and appreciate you all.

Robert D. Wilson
foamfish@gmail.com

Saturday, March 19, 2011

# 15

Robert D. Wilson's

A depository of over 3 decades
of poetry and haiga art.



None of us will forget March 11, 2011.  An earthquake
struck Japan that registered 9.0 on the Richter Scale.
A giant tsunami followed.  The combination of the two
forces of natures caused an aftermath that resembled
the destruction caused by America's genocidal dropping
of two atomic bombs during W.W. II. 

To make matters worse, the two forces weakened the structures
of Japan's poorly designed nuclear power plants, causing plumes
of radioactive smoke to to enter an airstream that blankets the
earth.  Those who designed these nuclear reactors should be
tried for involuntary manslaughter.  Instead they sit in comfortable
office chairs in plush high-rise offices, far removed from any
danger.  Japan is on the verge of economic collapse, which will
have a great affect on the world's economy. The American government 
declared that it is unsafe for anyone to be within 80 kilometers of
the power plants.  Nuclear power plants should be outlawed.  Humans
are fallible and thus, make mistakes. There is no room for mistakes
when it comes to nuclear power. It is this Gojira (Godzilla) that will eventually
destroy life as we know it on Planet Earth . . . a power set loose that human-
kind cannot control or harness (at least so far * 3 Mile Island & Chernobyl).

More more information: http://wearealljapan.blogspot.com





long night . . .
we listen to the
dragon's breath


rising from my
chest, a hummingbird's
heart beat . . . 
i ponder the infinite
with a child's mind



were you 
a cup of tea, i'd
welcome winter



sleep with me
in the morning
when stars like
crickets slip into
another's darkness



autumn cool . . . 
past the stars, a
bed of nails



with chafed knees,
the boy on the corner 
spoon feeds 
summer with the
back of his hand



      baby's breath . . . 
a pair of orchids 
between folds



you'd call it
hell, the alley 
beside our 
home, darkened with
a lemur's eyes



hunger eyes
me curiously . . . 
feral night



you walk in 
muddy water,
little boy . . . 
without sandals  
and your father




with sadness
in his face, wind
sings to me . . . 
a dark night without
moonlight and stars



in my brain . . .
an old carp ponders
the shoreline



forever,
a lapse of time?
walking in
circles around a lake
swallowed by dusk?



deep morning . . . 
caged dogs barking
at rats



my ex-wife
told a friend she wanted
me killed . . . 
a spectre standing 
on broken mirrors



soup made from
pork and bananas?
jack fruit moon!



what can i
say or do to stay 
the tide
of a winter
pretending to be summer?



lonely?
a shadow follows
me home



in a fit 
of anger, she destroyed
the incense 
i brought with me to 
the isle of no buddha 



mosquito . . . 
you drink way too 
much coffee!







when i tell
people i've driven through
a rainbow
their world becomes
a dog chasing cars



sadness?
wisps of clouds falling
short of winter



sad, the child 
staring at classmates
eating lunch . . .  
in the space he's 
reserved for dreams



does bamboo
hear her cries at night?
gentle rain



between the
clouds a low flying
dream eludes
me like an egret
staring through me



far from man,
the cloud i set
harbor in



i miss you
egret, standing in
the pond
i took my daughter to
when clouds could dream




clumps of stars . . .
orion's arrow seeks
a stray word



she listens
to us talking . . . 
a vendor
selling what no
one wants to buy



rat too,
prays inside the
dark spaces



After my tour of duty in the Vietnam War, I was flown
to an America I didn't recognize. Norman Rockwell
had been laid to rest.  In his place, a million Davy
Crockets and braless Cinderellas wondered the 
landscape aimlessly, dreaming dreams without
sleeping; their minds, neon lights, flashing on 
and off, on and off, on and off to the key of 
E minor in a coffee shop with checkered
floors and duct taped naugahyde booths
serving Farmer Brothers coffee around
the corner from City Lights Bookstore
on Columbus Street in North Beach
with Kerouac's ghost who wasn't
holy, had a thing for bebop jazz,
avocados, and larger than 
life Carol Doda signs, the
world as I knew it, turned
inside out with a
Dali-esque smile
Timothy Leary
could see
through
in 3-D


    late summer . . .
mr. natural on
methadone 


/_/_/_/_/_/_/_/_/_/_/


Excerpts from
Vietnam Ruminations






Boating upriver
into a dream saved
for nights like this,
when alice sets
fi re to wonderland

All of us stationed in Dong Tam at some time or another were
assigned to river patrol. This entailed navigating narrow, brown
water river-ways in Vietnamʼs Mekong Delta through dense vegetation,
partially obscured villages, and blind turns. We knew we
were being watched. It was impossible to ascertain if the villagers
we passed were for or against us. The enemy didnʼt wear
uniforms. Most of the time, these forays were uneventful. Sometimes,
when we least expected it to, all hell would break loose, descending
us into the bowels of a dragon mirroring Danteʼs Inferno.
Flame throwers belching fire; flashes of light; tracers; automatic
gunfi re, mortars; shrapnel; blood; out-of-control heartbeats, interwoven
with the scent of death. While some of my friends in
America were living the good life: cruising the boulevard, surfing,
attending concerts, dancing, dating, and working towards goals, I
was in a jungle on the other side of the planet dancing with Alice
in the Wonderland Amusement Park.



     cherry blossoms . . .
their babies!
their babies!


When I was in Vietnam in 1968, widows of fallen soldiers
came into Saigon to work as bargirls. It is one of the poorest
countries on earth, both then and now. Earning a living
is very difficult, especially for a single mother. One bargirl
I met went to the University of Saigon during the day majoring
in Economics. It was her dream to one day be selfsupportive
and to give her children and extended family a 
good life.



steeped in shadows,
a dragon laying
eggs

As the war progressed, more and more South Vietnamese saw the
Americans in a dimmer light. At fi rst, we were welcomed as liberators,
idolized as symbols of freedom and prosperity, a prosperity
many hoped they could obtain if the communist insurgents were
defeated. Unfortunately, most American soldiers knew little about
the Vietnamese culture, harboring little if no respect for the people.
It was not uncommon to hear a soldier call Vietnamese people,
“Gooks,” a derogatory term similar to “nigger” or “chink.” Women
working on our Base in Dong Tam were, more often than not, looked
upon as sex objects , sometimes grabbed inappropriately against
their will. When military patrols searched through villages in search
of the enemy (the enemy was literally everywhere), the treatment of
civilians was at times, atrocious. No respect was given to the elderly,
to village officials, especially to women. Oftentimes, our example
in the former Republic of South Vietnam aided the enemy in their
recruitment of soldiers and informants.



in the jungle,
a christmas tree
made of skin

Imagine for a moment, celebrating Christmas in the
jungles of the former Republic of South Vietnam. The
year is 1968. You graduated from high school the
previous year. This is your fi rst Christmas away from
home. And the first time you have been out of
the country.

You are eating canned rations with some of your buddies.
Reminiscing about past Christmases. Making the most of
a difficult situation. Suddenly, out of nowhere, the unmistakable sound of
an incoming mortar. And another. The sky is raining shrapnel. Bullets
whiz past you. There is nowhere to hide. You and your buddies dive to
the jungle floor, your weapons aimed in the direction of enemy fire. Your
hearts beating a hundred miles an hour.

As soon as the firefight starts, it stops. It is time to clean up and assess the
damages. Your first Christmas away from home. Hanging on the tree in
front of you, bits and pieces of someone youʼd reminisced with an hour
earlier.



new rice ---
a woman in the shadows
giving birth

There were people in the villages I visited in the Mekong
Delta who barely eked out a living. They lived from one
bowl of rice to another. A concept I wasnʼt familiar with
coming from a middle class family in affluent America.
Long before sunup, villagers readied themselves and their
families to work in he rice fields. They labored in the fields
well past the 8 hour work day we are used to. The weather
was sometimes 127 degrees with 100% humidity. A
day off was a luxury they could not afford, even on the
weekends.

A pregnant woman did not take time off to prepare for birth,
nor could she after the baby was born. Her family had to eat.
She labored under a relentless sun, her back bent over, her
newborn in a sling hanging from her chest...the nearest
hospital, several miles away.



sunrise . . .
petals replaced
with skin

What a difference a morning can make. The night before, a couple
friends and I partied in Mytho City, an urban center 13 miles west of
our duty station in Dong Tam. We drank, smoked dope, and caroused
with prostitutes, our way of coping with a war we were ill equipped to
handle.

The morning after, all hell broke loose. Rockets bombarded the base.
The sky rained shrapnel. Mortars came from all directions. The enemy
attacked when we least expected them to. Soldiers and base workers
ran in all directions, unsure of where to go, a path of adrenaline in their
wakes. To their battle stations or the nearest bunker. Our lives, for a
moment, a crap shoot without dice.


March 11, 2011


tonight
i sleep in
a past
without
an alpha
or
a beta
in
the stomach
of
a catfish
who
doesn't
give a shit
about
haiku and tanka
flying ban'yas
and
flying popes,
pushing
nibbling
bumping
gulping
my bed
your bed
Japan's bed
yellow journalism
circus clowns
new laptops
children
dead and dying
mother's crying
father's washed to sea
in toilet tissue arks
built by
those who
designed the reactors
in
America
who dream
of 
bigger cars
bigger houses
bigger 
      everything . . .
the homeless
school-less
     pennyless . . .
memories
fear
anxiety
memories
no phone
memories
falling
down 
a
dark chasm 
into an ever
without
the what
memories
haiku
tanka
memories
flying people
gliding
through
the fish's belly 
who isn't
a fish 
but
a collective
of rich cats
with 
a hard-on
for money

robert d. wilson
©2011


That's all for this week, my friends. More 
will be uploaded in 7 days. And everything
is archived.

Thanks for dropping by.

Monday, March 14, 2011

# 14


Robert D. Wilson's

Over 3 decades of poetry and haiga art

skipping stones
     across an afterbirth . . .
twilight dawn

somewhere else,
hoping something
will change
in the winter,
night became day

*election day 2008


a long day . . . 
the sad song of
caged pigeons



does the
river remember . . . 
when she
ventured through town
in a see-through dress



bored vendors
eye every move . . .
fruit flies



i cried
this morning, like
a child on
christmas getting
what he wanted

*Obama's victory speech



at night, 
i try not to think . . . 
tall reeds



without dreams,
i slink into
a death wish
painting blank thoughts
with hopelessness


families 
tending echoes . . .
typhoon!


like always
i retreat to
my room
sowing dreams in
darkened harbors


he sits on a
carabao pondering
next year's winter



your eyes
visit me at night . . . 
wondering
why i left you
to stare up at the stars

* for Bobster




a typhoon,
your anger, tearing
off blossoms

*for EJ


you can't have
me yet, dragon . . .
your talons 
are mired in the
mind of another



      sleepless night . . .
listening to the
keys of glass



one day, the
mirror you avoid
will pull you
into a hell 
you can never leave



i translate
what tree tells me . . .
late morning



i listen
to trees, the voice
of water,
the song of wind,
the chatter of wrens



i avoid
the glow of stars . . . 
winter heat



a toddler
throws up on her
mother's blouse
in a bus driven
like a roller coaster



run if you
want, into the summer 
. . . i never left



      what is hope . . . 
the dreams of naked
children 
playing in puddles
after sundown



where's the
father of the 
unwed girl . . .
begging for pesos 
to buy a dream or two



      between lines . . . 
a cigarette vendor
shucking winter



what' wrong with
an unwed mother
asking white
men twice her age
to walk through rainbows



     autumn's end . . . 
a beggar avoids
my eyes



like a
rabbit she jumps 
back into
the magician's hat
while i'm sleeping



always friday . . .
she left me for the shadow 
i couldn't find



this shadow,
the cloud hanging
over me . . .
a talon pulling
me through hell



i lean in
       to you, typhoon . . . 
reveilie!



      christmas lights . . .
i enter the night
i've hidden
year after year in
a semen stained room



     mute winter . . . 
empty faces too 
busy to care



shade me if
you want a truth winter
cannot hide . . .
your neon smile
blinks on and off




in the
jungle where I 
camped, the
silence continues
to include me



    mute night . . . 
what aren't you
telling me?



to those in 
a hurry to go
nowhere . . . 
a koi swimming
slowly through lilies



   christmas time . . . 
a bargirl stares at her 
baby's photo



when i pass
away, my bleached
white bones
will be wrapped in
fortune cookies



short night . .. 
every day i wake
up at noon



when i die
my ashes will 
remind you
of long john silver
walking the gang plank



    jack fruit moon . . . 
our drunken neighbors
sing out of tune


fragments of
thought, enough to
push the
clouds away, your
face in a coffee cup 


tu fu . . .
introduce me to
your cricket!







somewhere, a
mole pushing spring into
. . . rabbit holes

it's dark in here, and moist, the wind rushing past me and a thousands others . . .
 falling down, who knows what, a rabbit hole it looks like, but that was once upon a time, or so it seems, time passing like a thief in the night . . . dreams, thoughts, a hodgepodge of this and that, collectively . . . look there's Dorothy with Toto,
leaving Kansas, leaving us, leaving the dreams we dreamt as children, or maybe I'm a mad man, a figment of Dali's fertile imagination, a yellow post it note from the king of artistic madmen . . . falling, falling, darkness, DARKNESS . . . listening to music no one remembers or listens to, the world, a parachute jump into a bowl of miso soup substituted for a Campbell's creme of mushroom soup with low sodium.


Haibun From
robert d. wilson's
Vietnam Ruminations




End of Tet -
the marks on her back, a letter
Iʼd rather not read

At the conclusion of the Tet Offensive in 1968, a girl who worked as
a laundrywoman on our base returned after a three week absence. Her
back was covered with hideous burns. Her family had been tortured
and murdered. It was a reprisal by the Viet Cong for her working on
our base. She, of course, was an innocent. She worked for us to help
support her economically strapped family. Her alliance was to her
family, not to a political belief.  Like many living in the rural provinces
of Vietnam, she wanted to live a simple life free from anotherʼs
tyranny.



Fireflies
on the waterʼs surface -
a house of mirrors

Standing guard in the wee hours of the morning on the bow of
the repair boat barge I was stationed on, was eerie, to say the
least. You could never relax. Stories were told in the chow hall of
Viet Cong frogmen who traveled across the small bay we were
moored in, using hollow bamboo reeds to breathe through. Like
ghosts, they appeared when a soldierʼs guard was down. The only
sound during this watch was the faint lapping of waves against
the bargeʼs hull and the steady thump thump thump of my heart.
In the distance, gunships sprayed the horizon with machine gun
shells laced with tracers that lit up the sky. More than once, I saw
my refl ection in the water. At that time of the morning, at nineteen
years of age, a variety of thoughts and questions danced in and out
of my mind; some deeply introspective.


Saffron robed monks
sweep me through the temple -
this humid morning

I asked a Vietnamese woman who worked on our base if she could
arrange a visit for me to the local Buddhist temple. She smiled and
told me she would talk to one of the monks. She returned the next day
and told me the monk said it would be dangerous for me to visit the
temple. What the monk meant by that I will never know. I told her
to tell the monk that I wanted to visit the temple anyway; that I was
interested in the Buddhist religion and wanted to learn more. She related
that to the monk who reluctantly agreed to give me a quick tour
of the temple. He had a nervous look on his face when he brought me
inside. It was a dimly lit temple, the light emanating from fl ickering
candles and burning joss sticks. At the altar were three giant golden
Buddhas. The Buddha of the past. The Buddha of the present. The
Buddha of the future. It was an otherworldly sight. The monk gave
me a joss stick and taught me how to bow and pray to the three Buddhas.



in her wake -
a thousand bad movies
sheʼd never see

I am haunted by a photo I took in Saigon during the Vietnam War.
A woman is walking down a dusty highway on her way to work or
school. Behind her is a pillar of smoke. She didnʼt look back. What
was past, was past. Only the future offered hope. Many movies have
been made about the war. Most are cheap and exploitative. Their purpose?
To fi ll cash registers with dollar bills. Most people are clueless
as to what the Vietnamese people experienced, let alone the soldiers
who fought the war. War is not glorious.











PERFORMANCE POETRY


The following tanka and the free verse performance 
poem below is in response to the nuclear reactor
leaks in Japan caused by the Tsunami and 9.0
earthquake:

      plastic spring . . .
rat poison falls
earthward
into the mouths
of hungry blossoms



FAT CATS

fat cats,
dancing
under
crystal chandeliers 

to the
Beatles song,
Money.
$20,000 gowns,
black ties,
rich girls
in pig tails,
unaware
unconcerned,
mastercard
their yayas . . .
gojira
underwater
chuckling
glad that men
are fools,
listening to
the greasy palm brothers . . .
saints 

on
the evening news
shedding tears
promising
to save us all
except
the only thing
they save
is money . . .
our comfort,
an insurance policy
we can't afford
to buy

robert d. wilson

©2011




time
for the elephant
to be sent back
to the jungle 
It was stolen 
from
by the same
big bad rich
cats who
USE them 
for their logo
and belt buckles
not 
giving a damn
that they'll be extinct
As in NADA
in the next decade
As if 
the elephant miesters
cared, 
their wallets busting
their hired hands busting
their sweat shops busting
the poor everywhere
busting butts
for the rich 
who forget
that one day
the USED
will fight back
with a stampede 
of 
NOW!

robert d. wilson
©2011

That's all for this week. Keep the people in
Japan in your prayers and/or thoughts.